Chinese tea · two scripts, one rule
Thirty-four Chinese teas set bilingually: a vertical column of hanzi against a thin rule, high-contrast serif caps beside it, and the leaf given the empty half of the page.
3 teas · 3 categories
The page is divided by one thin rule, and each script keeps its own side of it. Hanzi runs vertically at full size because that is how the name is written, not as decoration next to a translation; the roman caps are stacked opposite so neither reads as a caption for the other. High-contrast serifs and a small italic line carry the tasting note at footnote size, which keeps the description quiet and lets the photograph hold the page. Half the sheet is left empty on purpose, so a loose heap of leaf has somewhere to sit and its shadow can be seen. The gold numeral in the corner is the only ornament, and it exists to tell you where you are in a set of thirty-four. Chinese tea earns this layout because the names carry meaning in both scripts, and losing one of them loses half the sense. Everything else has been taken off the page.